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Watch Portrait de la jeune fille en feu

Portrait de la jeune fille en feu is a movie starring Noémie Merlant, Adèle Haenel, and Luàna Bajrami. On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait...

Genres
Drama, Romance
Director
Céline Sciamma
Starring
Noémie Merlant, Luàna Bajrami, Valeria Golino, Adèle Haenel

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Product details

Genres Drama, Romance
Director Céline Sciamma
Writer Céline Sciamma
Stars Noémie Merlant, Luàna Bajrami, Valeria Golino, Adèle Haenel
Country France
Also Known As Alev Almış Bir Genç Kızın Portresi, Portret Dame u Plamenu, Portrett av en kvinne i flammer, Retrato de uma Jovem em Chamas, Retrato da Rapariga em Chamas, Portræt af en kvinde i flammer, 燃燒女子的畫像, Liepsnojančios moters portretas, Ritratto della giovane in fiamme, Retrato de una chica en llamas, Nuoren naisen muotokuva, Το Πορτρέτο Μιας Γυναίκας Που Φλέγεται, Portret kobiety w ogniu, Портрет даме у ватри, Portret dame u plamenu, Portret mladenke v ognju, Dyokan shel Na'ara Olla Ba'Esh, Porträtt av en kvinna i brand, Stående av en dam i brand, 浴火的少女畫像, Portret djevojke u plamenu, Retrato de una mujer en llamas, Portrait of a Lady on Fire, Portré a lángoló fiatal lányról, Porträt einer jungen Frau in Flammen
Runtime 2 h 2 min
Audio Português  English  Deutsch  Italiano  Español  Français  Gaeilge  Svenska  Nederlands
Subtitles Português  日本語  Čeština  Australia  한국어  Filipino  Tiếng Việt  हिन्दी 
Quality 480p, 720p, 1080p, 2K, 4K
Description France, 1760. Marianne is commissioned to paint the wedding portrait of Héloïse, a young woman who has just left the convent. Because she is a reluctant bride-to-be, Marianne arrives under the guise of companionship, observing Héloïse by day and secretly painting her by firelight at night. As the two women orbit one another, intimacy and attraction grow as they share Héloïse's first moments of freedom. Héloïse's portrait soon becomes a collaborative act of and testament to their love.

Top reviews

Thursday, 20 Aug 2020 22:06

A father's loss in a young woman's death is far too realistic for a man to take the other side, but a grieving mother is able to handle the tragedy with the level of a man who has to live with the tragedy. The woman, Franck, has no one to rely on and all the family in the village is simply going to die. Franck's role as the family's protector is the key to the film. The father is no longer an active leader and the mother is also no longer able to carry the burden. The conflict in the film is between the mother and Franck, but it is clear that Franck is the key to the film. His constant probing of the mother with questions of what is happening to the family and the quiet, confident way in which he acts are far more compelling than any questioning of the mother's husband. He is the mother's constant protector, and his honesty in dealing with the situation is the only way in which the mother can escape the crisis and make the most of her few moments of freedom. It is only after Franck begins to show up and the father comes to the rescue that the crisis can be resolved. The real problem in the film is that the film's resolution is not clear. This is a film that tries to present the story in a clear way and the writing is what makes this possible. The writing is what separates this from the other films that attempt to tackle the story in a straightforward way. It is clear that the writing is why the film is less successful. It is an issue that would have been solved in a different way in the other films, but this one does not have a clear resolution. It is a film that could have been a great film, but it is not a great film. The acting is strong, but not the strongest in the film. I could not imagine how it would be possible to take a film like this and have it be the strongest acting I have ever seen in a film. The performances are not good enough to save the film. The editing is an issue as well, and I think it is a big mistake to think that the movie is very well edited. The editing is almost non-existent and it is clear that the film could have been edited more simply. The director does not have the clarity to show the movie from a different point of view, and this is where the movie is flawed. The director has some great moments, but the way in which the story is presented is not the strongest. The director does not give the audience a clear idea of the plot, and this is where the film is weak. This is not to say that the director has failed to make a strong film. He has made a strong film, and it is the strongest film of the year, but it is a weak film. Overall, I would say that this is a good film, but not a great film.


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